We Ziskins
  • Little Bit Of Cinnamon
  • JORDAN & MELISSA
    • This is Us
  • Writings
    • Something Blue
    • Dear Baby
  • LEFT2WRITE
    • LIT MAGS
  • Little Bit Of Cinnamon
  • JORDAN & MELISSA
    • This is Us
  • Writings
    • Something Blue
    • Dear Baby
  • LEFT2WRITE
    • LIT MAGS
things just taste better, here

Clavicle Envy

7/28/2014

0 Comments

 
This is gonna be uncomfortable.
Let's do it together. 

I'm the worst at healthy-body-image talks. I like to consider myself an educator:  Spending most of my months in a classroom or in a position of guidance, I want to be the kind of person other people feel comfortable confiding in. Problem is, I'm good at certain types of advice. I've worked hard to become vocal. As a child, I struggled to be heard and, as part of my 'freedom-initiative,' I moved to NYC and found a voice of my own. Now I have a tendency to speak my mind, sometimes too quickly. I want to teach my students that their voices matter and, like my mother always said "The squeaky wheel gets the grease." The tapes that play in our heads are almost as loud as other people's voices. Almost. But I'm convinced we can learn to drown them out. I think being heard is invaluable (and as a person born half deaf, I know). So I hope to help meld a generation of students who are proud of who they are and unafraid to grow. 

As long as that growth is vertical. Progressive. Not horizontal. 

I'm really terrible at those conversations. 

My closest friends know that I don't do food well. I attempt to promote healthy-eating. I like kale. I really like cupcakes (non-sequitor) but working so closely with students really affects your perspective. Especially when you're surrounded by adolescents who all have very different body images. Or babysitting young girls. Listening to them talk about their bodies puts the vernacular into a new perspective. I can't make comments about food or diet restrictions and even exercise becomes somewhat taboo, when tinier ears are involved.

I don't want to taint those tiny ears. I think that's where the problem begins: We don't know something is wrong with us until we hear it somewhere. Like profanities. Secrets. Reprimands. 

The tapes that play in our heads are almost as loud as other people's voices. Almost. But I'm convinced we can learn to drown them out. 

The other day, I was talking about eating disorders with one of of my students. Because every teenager knows another teenage with an eating disorder, or knows the struggle on a personal level. And the thing I've come to find is that no one really ever knows what to say. But we all keep trying to say the right thing. Or, better yet, the not-wrong-thing. Which is easier than the right thing but not by much.

I like to think I have the words. I used to read dictionaries and paint synonyms on my tongue, when I learned I could not draw. But I don't always. Especially not when the words are ones I haven't really learned how to tell myself yet. But I'm trying. To say the not-wrong-thing until maybe it sounds right. 

And maybe that's enough. Maybe doing everything right doesn't always have to be the goal. I just might keep my clavicle envy, somewhere in arms reach. But there's probably a cupcake not too far away. 

The tapes that play in our heads are almost as loud as other people's voices. Almost. But I'm convinced we can learn to drown them out. 
0 Comments

Paper Towns

7/15/2014

0 Comments

 
Picture
I'm making bouquets for a wedding. Origami roses, individually folded, doubly taped, paper-scented. Bouquets, signs, posters, post-cards, programs, bows, flower petals for the flower girl. I've got this. But I more-than-secretly love arts and crafts. I'm probably enjoying all of the hullabaloo more than I let on: It's the romanticism of it all. And the age-old J. Lo aspirations. But all this wedding prep is also completely horrifying for the 21 year old body that I inhabit. 

See, there comes a time where the brain and body collide. 

I have always been eager to age. As a child, I took on adultish responsibilities with what I hope was grace but was certainly confidence. I have always been rather self-sufficient. I have always had an old-soul. And I, like the gender line I hopscotch on, dream about getting married and the life that will follow. 
But I am only 21. and, as a brand-new twenty-sometthing, I've decided I would like to slow down time, as much as possible. This whole wedding-thing seems counterintuitive. 

Not only that but the idea of marriage has become somewhat painful for me. I fear endings. I lost the notion that love conquers all somewhere between my first tooth falling out in an apple and my mother crying (these events go unrelated). I want to tell you that making paper flowers is a metaphor for the way that love is fragile and easily crumpled. But that feels too jaded, even for me.

So instead, I will tell you that-if this were my wedding- I would write love notes on the inside of every petal. Secret vows, unending promises, inside jokes. I would fill the flower girl's basket with heart-shaped candy, so that every last moment could be sweet, and I would embrace the impermanence. Because nothing truly gets to last forever. But I would be willing to bet on a happy now. 

Plus, paper flowers are more permanent than actual flowers. Paper may crumple, but it doesn't wilt. It also covers rock. And welcomes scribbles. 

But, wedding decorator that I've become, I've never actually been to a wedding. Given my current thoughts on weddings, too, I'm completely petrified. For reasons I won't tell the internet, I'm awaiting this wedding with baited breath, unsure if I will laugh or cry, when the bride walks down the aisle. Either, I've decided can be masked as joy, however. And I'm a big fan of masks, in moments like that. 

In the Jewish religion, once you write the Lord's name on paper, that paper has become holy and can never be destroyed. I used to follow that religiously (pun intended)  bothering myself with hyphenated three-letter words, but then I stopped. My feelings didn't change so much as the idea that holding onto scraps of paper protected them, If that were true, my pack-rat tendencies would make me chief-paper-protector. if that were true, all of the notes my mom ever put in my elementary school lunch box, that now hide at the bottom of the Cinderella jewelry box she gave me when I became a big sister, would be the bible. And maybe to me they are. In the age of the Kindle, I hold tight to my library card, because paper is our most powerful resource. Our pens are mightier than our swords. 

I leave the people I love notes. I send postcards. While I don't think the material things make a person happy, I do think there's something to tangible love. If I can't touch you, it's nice to touch something that made you think of me. Or makes me think of you. 

One of the bedroom walls is covered in pages of Harry Potter novels. The whole wall: Floor to ceiling. It was a poor man's wallpaper, at first, but it quickly became something I love. The infinite, sprawling, severed storyline that once defined my childhood and now caries a slight blue tint from the gypsy window treatments. I put the wall up with the promise that pulling it down would be easy. And I get the feeling that it will soon be ripped down. I don't really mind: The paper comes from a time different from this one. I put up that wall back in December and I'm pleased to report that I will never go back to the way last December lingered on my tongue. 

This December will be better. 
 
This is an important distinction to make: Nothing is permanent. Not even the way our months feel. Or the way they taste, months later. 

Maybe, once we tear down J. K Rowling, we can begin to fill the wall with our story. Write each word in permanent marker; cautious to write something so beautiful that we could spend the rest of our lives aspiring to it. 

Maybe that's the trick to paper: It begins as a tree. As it ages, the tree forms more rings. Rings like promises. Rings like roundabout growing pains. Rings like "I do." When they yell "Timber!" at the tree, I imagine it would scrunch up its face like I do on a roller coaster. When it becomes paper; dyed, flattened, blended, it takes each ring with it. Carrying years of sunshine and falling leaves. The lucky paper becomes fancy novels or New York Times bestsellers. The lucky paper gets seen by more eyes than it ever imagined. The lucky paper gets put up on walls or written in on the margins and shared. Or sent as letters overseas- or even to someone in the next room. 

It gets loved. Like bouquets. And weddings. And the moments we are awake for. 

So as the wedding looms closer, my next move is staring me right in the eye and I'm not sure what to do. But I will have to grit my teeth and do something, relishing in the fact that nothing here is permanent but, if we want to, we can keep holding on.



0 Comments

Sorry/Grateful

7/15/2014

0 Comments

 
In the Stephen Sondheim musical "Company," Bobby- the protagonist- is in flux. Like most of us, he's afraid to make a move in any direction. Before "Sorry/Grateful" Bobby asks his friend Harry if he's sorry he got married. His response: "You're always sorry, you're always grateful. You're always wondering what might have been- then she walks in." I think the same works for life: A collection of oxymorons that never cease to help us backpedal. I don't know how to ride a bike but I know that the backpedal is supposed to make the bike stop. We spend too much time trying to stop, just as we begin to build momentum. (Then she walks in.)

That's fear. I think somewhere between being sorry/grateful, there lives a Pandora's Box of the "what might have been"s. In that way, "she" is opportunity and we are all just coping with sorry- for the moments we've lost and grateful- for the moments we let grow into something. 

I have a mason jar of "sorry:" impressively preserved apologies held under a tightly sealed lid, in their original form. Each "sorry" belonging to proper and improper nouns (much like the actions that warrant such apologies). Sorry saved for the moments I bump into a chair, skid into a human, aggressively walk around a timidly standing tourist (sorry--not sorry?). Sorry saved for the moments I let my head grow wild with bad ideas and begin to float away.  (Two sorries there: Sorry for the bad idea and sorry for flying away with it). Sorry for things I can learn to control. Sorry for the things that are out of my hands. I have racked up a list of "sorry" that has turned my "gratefuls" into envy. But I am. Grateful, that is. 

I have come into this habit of drawing a heart in the 'U' of my left hand, with my first grateful thought each day. I feel like that's something Oprah would totally get behind and I'm really all for making Oprah happy. (Sidenote: Oprah believes that you should recount your day in five happy thoughts each night before you fall asleep. I find that makes me very sleepy. And also prefer to end my day with the person who makes me happy). Oprah aside, the hand-heart usually goes unnoticed. But when there are students who see you daily, or people with hand-fetishes, certain eyes begin to notice the heart and when it is gone. That involuntary slip worries me: Far too worried about other people's perceptions of me, I don't want to be seen as anything other than grateful. Even when I haven't realized it yet, I always am. 

I know that sounds a little "hoakey" but I am. I get it from my mother: It's the little things that make us happy. I'm grateful for nights with several cups of tea or conversations full of laughter. I'm thankful for comfy pajamas and arts and crafts. I'm thankful for the places I've been and where I'm standing now. I think the ability to withstand the "sorry" is what makes us most "grateful." 

I also think it's time to eliminate "sorry" from our vocabularies. 

In the new Pantene commercial, 'Not Sorry' the Shampoo ad has a handful of women, with pretty hair, who apologize for their every action. Then the commercial says "Don't be Sorry: Be Strong and Shine," followed by the same sequence, sans "sorry." The elimination of weak and unnecessary apologies turns the female voice, in this commercial (and out), into something more assertive. Something stronger. 



I'm grateful for the opportunities to be stronger. And sometimes I wonder if they come without the "sorry." Without first knowing what it is like to be weak, to be wrong, we don't know what it is like to turn around and exhibit an unparalleled strength. 

I'm learning to be stronger. I'm coming to a point in my life where I'm not afraid to speak up. As a child, first I was timid. I ate in secret, embarrassed by the idea of being seen in public. I grew into a person certain she could maintain that visual perfection: Without basic human needs because needs make us weak. Then, when I began college I was a pushover: Determined to show that I could handle anything. Constantly sexiled (check Urban Dictionary if you are unsure the meaning) and afraid to ruffle feathers, I would apologize for trying to enter my own room, after a full day of classes and work. I would eventually spend my evenings on the floor of the lounge. Sorry, I've found, leads to bitterness. The feathers we refuse to ruffle begin to creep up on us.

Taking on someone else's ruffled feathers doesn't make us stronger. 

But I fight other people's battles far better than I do my own. I am full of suggestions and an excellent advocate but rarely for my own causes. And I find that, when my voice gets lost in mumbled crowds, there is no one to apologize to me. So I stand in a puddle of my own sorries until the rain dries up. 

But it is a terribly rainy summer. The brand new holes in my only remaining shoes are a constant reminder that the clouds will dim too early and the day will be left hiding under awnings and re-watching The Gilmore Girls (no shame there). And maybe my advice is finally catching up with me. Maybe I have finally withstood enough unapologetic rain. 

Slowly I have begun asking for the things I need. Convincing myself, not that the people who care about me will have already remedied them- but that those same people will, instead, make my needs a priority. I think it's safe to say that need isn't necessarily an indication of weakness but an understanding of who we are. 

Starting today, I won't apologize for the things I need. 
And you won't apologize for the way things are. 
It's time, instead, to make it better. 

No longer sorry. Just grateful. 
0 Comments

Roll With It

7/6/2014

2 Comments

 
Our culture confuses me. As women, we are taught that thinner is better. Even those "real girls (who) have curves" have strategically placed curves. Curves that are all-too specifically and properly indented and still somehow boyish or drug-induced or starved. 

But in life, we find our most vulnerable moments when we are curled up in a ball. We expel our carefully conpiled, calorie counted energies to become something more rotund and something we, actually, fear. 

We make like a ball.

And balls are round. They are bouyant. They come in many colors, shapes, and sizes- they are used metaphorically to show strength ("You've got balls, kid") or opportunity ("The ball is in your court").

In my head, life is a calendar: A mass of sticks and boxes that accumulate to schedule a day, a week, a month, a year (cue the FRIENDS theme song). Those years begin to roll away the second we start to appreciate them, though, and we, taught to buy things a size too small (to fit into), aren't able to keep up. We get stuck in the details. Lost in the parts of yesterday we haven't been able to work out. Our heads feel round, rolling away without us... So why not roll with it?

Today's goal is to roll.

I'm working towards getting unstuck. Acceptance isn't settling but it's a step closer to better. I'm aiming to be better. 

Culturally, better is a foreign construct. The architects of our someday-home's, we chisel-our faces, our bodies, into being this unattainable image. So better gets lost in what we should look like. Better gets lost in how we think we should feel. Our thoughts make us stuck, with ever repeated motion, because we don't think once and move on--we look back, we analyze, we ask ourselves what we could have done better. 

I'm giving myself the gift of nothing. 

There is nothing I could have done better. Except for this next moment. Better catch up, before it's gone. 

2 Comments

Work in Progress

7/6/2014

0 Comments

 
"I go to seek a great perhaps."

When I was a child, I thought the future was pure magic. I tossed pennies into wishing wells, made pro/con lists about how to get from the Point A to the Point B that I so desperately desired. I wrote myself letters, dated to someone else; to an older and wiser version of myself, who wouldn't make the same mistakes I did. 

If only I knew then that the mistakes would just get messier. 

When I was a child, I was always afraid that I would die before the listy-lettered-penny-tossed future would come into fruition. By seven, I made more wills than I knew (there were only two William's in my elementary school). I don't know if I'll ever be able to understand why I was so convinced my death was eminent. But I was always afraid. In those wills, I gave away my Beanie Babies. I saved my butterfly (because she was the prettiest) and the seal who shared my birthday. I probably left those for my mommy. And that's a big deal.


Now, when I worry that I'm probably dying, I wonder how I'll be remembered. As a seven year old, with an extensive Beanie Baby collection, thoughts like that don't quite phase you. 21, and determined to build collections of poetry or students or hats I can imagine it. I've been to wakes. They're lonely. I hope death isn't that lonely. 


I realize that this is all a shot in the void (much like anyone reading these words, anyway). So instead of worrying about the things that will come: Death, loss, what's left of tomorrow...I am off to seek a great perhaps.


Perhaps it will be broken heels and bad haircuts.
Perhaps it will be love.
Perhaps it will be smudged nail polish
Or ink stains.
Perhaps it will be perfume and promises.
Perhaps it will be second-chances
Perhaps butterflies
and daisies 
Perhaps caverns and taverns.
Perhaps it will be you. 
0 Comments
    Picture

    This is Me:

    My name's Melissa. I'm the girl with her hands in her journal. Married to my best friend and planning a lifetime of adventure!

    Archives

    January 2022
    October 2021
    August 2021
    July 2021
    June 2021
    November 2020
    September 2020
    August 2020
    July 2020
    May 2020
    April 2020
    March 2020
    April 2019
    July 2018
    June 2018
    January 2018
    October 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014

    Categories

    All

    RSS Feed

    Submit
Powered by Create your own unique website with customizable templates.
  • Little Bit Of Cinnamon
  • JORDAN & MELISSA
    • This is Us
  • Writings
    • Something Blue
    • Dear Baby
  • LEFT2WRITE
    • LIT MAGS